The
Michaelis memorial was the first monument that really caught my eye in Kensal
Green Cemetery on my first ever visit, and therefore the first one that I ever
photographed. The reason for so many firsts is that it is the first substantial
monument you reach walking along Centre Avenue from the main gate on Harrow
Road. The figure of a grieving woman with the naked and rather sensual
shoulders is executed with great skill and is clearly not the work of your
average stonemason. I took a couple of photos of the memorial that day but
despite passing it countless times since, and often stopping to look at it,
I’ve never tried to get a better shot. Nor did I bother trying to find out who
the memorial belonged to.
Henry Alfred Pegram at work in his studio on a bust of Sir Cecil Rhodes |
When
I was at Golders Green crematorium the other week I left the shelter of the
covered arcades and went out into the rain to look again at Henry Alfred
Pegram’s striking bronze statue Into the
Silent Land. It is definitely worth
getting wet for. Pegram was born in London in 1862 and studied at the West
London School of Art. He became a Royal Academician in 1922 and died at his
home in Hampstead in 1937. He was a professional sculptor who produced numerous
public statues; his work can be found all over the UK and as far afield as Cape
Town (statue of Cecil Rhodes) and Shanghai (Sir Robert Hart). As Into the Silent Land clearly shows, he
was particularly good with the female form; his nudes are often unashamedly erotic.
The Crematorium was presented with the
statue in 1937 by the Royal Society of Arts, presumably at Pegram’s suggestion,
to commemorate his cremation that year.
It
was only when I was researching Golders Green that I discovered that the
Michaelis memorial was also by Pegram.
According to Historic England “the monument was exhibited at the Royal
Academy in 1901 before being placed on the plot on 10 August 1903. Notes in the
ledger of the General Cemetery Company state that 'Maximilian Michaelis paid
£320 for the plot; the monument was a figure memorial 12 feet high;
and...weighed five to six tons'.” Sir Max Michaelis was a German born, possibly
Jewish, financier and diamond magnate with extensive business interests in
South Africa. The 34 year old business man married 22 year old Ninon Rydon at St
Georges Hanover Square in October 1886.
She died less than 10 years later at the age of 31 of pneumonia and alcoholism whilst
her husband was in South Africa. There were no children. Sir Max later
remarried and had two daughters and a son with his second wife Lilian
Elizabeth, (née Michaels) who outlived
him by almost a half-a-century. Sir Max was a dedicated collector and patron
of the arts; he purchased the Lane collection in 1914 and left it to the South
African nation where it is now known as the Michaelis Collection and is on
permanent display at the Old Town House in Cape Town.
Interesting to read about this memorial. It a few paces away from the huge tomb of a distant cousin of mine, which I always look at whenever I go to Kensal Green, so I took a photo this week and was looking to find a bit more about Ninon.
ReplyDeletevery nice
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