You might imagine
that an funerary monument in the form of a life size pipe organ could only cover the grave of a church
organist or a classical musician with a soft spot for Bach’s Toccata and Fugue
in D minor. There is some evidence Charles
Herbert Barritt (1869 – 1929, more generally known as Clifton Barritt) knew how
to play a medley on the concertina but nothing to indicate that he was an
organist. Clifton seems to have spent
most of his life as a vaudevillian and music hall entertainer and his last
years as a London publican.
Born in Manchester Clifton was already
treading the boards in his early twenties. A notice in a Belfast newspaper describes
an appearance at the Carnmoney Masonic Hall in September 1892;
Mr Clifton Barritt, who has already, obtained honourable distinction in
Manchester and other English cities as a musical and humorous entertainer,
secured fresh laurels by his really able rendering of a number of songs and
sketches written 'and composed by himself. He succeeded in keeping his audience
convulsed with laughter from beginning to end. "A Penny Buys the
Article" and "At the Pantomimes" were amongst his best
performances. Mr. Barritt is quite a young man. and a short time will, no
doubt, suffice to bring him into prominence as a successful and talented
humourist.
Local newspaper notices chart a
ten year career that took Clifton from Ulster to the Isle of Man, Reigate to Grantham
and all points in between, Hastings, Skegness, Bedford, Aylesbury, Folkestone,
Loughborough…..there seems hardly a pier or Free Trade, Masonic or Town Hall stage that did not feature Clifton’s
mellow baritone or perfect comic timing at sometime between 1892 and 1904. At
the annual dinner of the Higham Ferrars Athletic Club in February 1902 a
concert was held of which Clifton was “the chief artiste.” At the Aylesbury
Printing Works Institute New Years Gathering on January First 1903 “Mr. Clifton
Barritt was seen to advantage in his musical sketches, his imitations of farmyard
animals, etc.. being particularly clever….. “ On St Patricks Day 1904 at Mr Cross’s
Concerts in Manchester “the concert was interspersed with humorous; sketches of
equally Irish extraction, by Mr Clifton Barritt.”
His best notice was featured in
the Sussex Agricultural Express of 17 October 1903 for a concert held in
Uckfield Public Hall;
Mr. Barritt was responsible for the comic element. He showed how songs
of the ephemeral type could be arranged by Sousa, Mendelssohn, and Wagner but
was at his best in his imitations. He successively imitated a rusty phonograph,
a violoncello (using Elgar's "Saint d'Amour), a clarinet, banjo, and
finally two instruments together, the mandolin and cornet (in "Whisper and
I shall hear' ). Again he showed "The charge of the Light Brigade' could
be recited by people afflicted with various eccentricities. has a fund of racy
anecdotes, and is always "funny without being vulgar."
This madcap eventually rejected
his nomadic existence wandering the provinces of England and settled down. His
eldest son Robert was born in 1900 and perhaps the presence of a child in his
life made him decide to make Robert’s mother Hannah Harriet Law (known as
Hattie according to the gravestone) an honest woman, though he took his time,
not marrying her until 1906. The couple had two more children, Chilton and
Constance, once Clifton had given up the stage. We know he was the publican of
the Savoy Palace a pub in Savoy Street WC1 in 1911 because the whole family is
on the census return for that year along with a potman, two barmaids and a
children’s nurse. He went on to become the publican at the Blue Posts at the St
Pancras end of Tottenham Court Road from
1915 until his death in 1929 when his wife Hannah took over the running of the
business. Clifton died at the age of 60 on 21 July 1929 at 71 Ladbroke Grove,
W11 leaving a not inconsiderable legacy of £11,631 3s 10d to Hannah.